Then and Now…Complicated Times

This morning as I took some sun, a deer came quite close to me. They’re often passing through our yard, and sometimes I speak to them…usually from more of a distance. This time I was sitting out in the yard, and this little one surprised me.

She didn’t seem to mind my bad hair day, or that I was taking up space near where she wanted to eat.

So I carried on a conversation with her. “Hey, girl. Beautiful morning, isn’t it?”

A sidelight–I’ve been working on a novel, not my usual WWII kind, but a Civil War era story. And my heroine finds comfort during dire distress in the visitations of a doe.

This manuscript, begun probably a dozen or more years back, I’ve almost thrown out. More than once. But something about the characters has kept calling to me.

That means more research, so I’m poring over books about the war and the people of the time. Did you know that the venerable Sam Houston relinquished his Texas governorship when Texas joined the Confederacy and he was forced to sign the Articles of Confederation?

He did–and dismayed thousands of Texans who had voted to secede. He stood on his principles, but they felt they were principled, too. I’m trying to crawl inside their minds to see how their belief in each state having inalienable rights drove their decisions. Such a complicated time–many of the early failures in battle were due largely to politics.

Anyway, I’m learning a lot, which satisfies me. And then this deer shows up. Big black eyes,

dark button nose, and so patient. Willing to simply stand there and stare, listening to me chatter.

One thing I’ve been thinking: today’s evil and hatred loom so large. Seems as if the bottom’s fallen out of our society. Or falling. But I’m certain people felt the same way back in the early 1860’s.

And somehow, they managed to make it through. Most likely, there’s something to be gleaned here as we struggle with sickening news reports and seemingly hopeless conundrums.

The Old Days

For A Hill Country Christmas, each author has been sharing “stuff” about ourselves on our new FB page, Hope for Hardscrabble Times

In search of brilliant things to write, I came upon this tidbit from a rural 1960’s newspaper:

If you’re from the midwest, I imagine this won’t seem peculiar. But for my author friend out in Connecticut, it does. She marvels at the “stuff” written about friends and family, right in the weekly local newspaper.

The marked names (in yellow) are my cousin’s doing–she has the patience to find and send these remnants of the past my way, and I’m sograteful. In this instance, the farmer who lost his pinky finger in an accident played a huge role in my childhood, and reading about his accident tweaked one of my most vivid memories–the day he got tangled up in the corn picker.

It’s the only Thanksgiving I recall, at Grandpa and Grandma’s, eating turkey with all of the cousins, crammed into a plain small farmhouse. On warmer holidays we ran around outside, chased chickens, swung from the gate–figured out something to pass the time.

But late November in Iowa turns nasty cold, so we most likely sat around…maybe played cards or something. Lots of younger cousins kept me busy, and my aunts Donna and Shirley Donna and Shirley, mentioned in this issue, too, took an interest in us kids.

Then the phone rang. Dad had gotten hurt, so an uncle and Mom took off to drive him to the hospital. And we waited. My tendency for catastrophic thinking had a heyday…one of our uncles lost his entire arm in his corn picker and wore an interesting but kind of scary metal hook. Surely Dad would come home minus an arm, too.

Of course, it took forever to hear an update, so this scenes became stuck in time. I remember Aunt Shirley trying to comfort me, “Now, Gail. It’s probably just the very tip of his finger.”

In the end, “it” wasn’t as bad as I imagined–only a forfeited pinky finger. Dad had been through WWII, driven a truck across North Africa, watched a B47 fully loaded with soldiers returning home blow up on the tarmac.

That Thanksgiving day when I was about ten or eleven, he drove himself back to our house to clean up before going to the hospital. And he wore his lost pinky with pride, I might add.

Interesting how a few lines in a newspaper can make the memories flow!

If you like this step back into history, you’ll LOVE our FB page…HOPE FOR HARDSCRABBLE TIMES! Please give us a LIKE and a Follow.

https://www.facebook.com/ahillcountrychristmas

Beginnings

This photo may not prove too inspiring. But it is to me.

Today I sat out in the sun (suddenly it’s HOT and sultry in Iowa), and was able to do a stitch of planting. Nothing like I’d normally be doing, but the same satisfying sensation filled me at having shaken some Mesclun and spinach seeds into this pot and sifted soil over them.

What exactly is this feeling? Something like hope, I think. Very small deposits can result in huge outcomes. I admit, it’s been tough at times lately not to lag in hope. Being injured brings a barrel of side-effects with it, not all physical.

Oh, we all know the promises . . . we memorized them long ago. But during times like this, we need those promises to energize our faith. The night before my surgery, something like this occurred, and I cherish this memory.

A night nurse said, “Wow, you’ve had a bad year.”

My instant reaction? “Well, actually a lot of really good things have happened to me this year.”

“Oh, really?”

So true. It’s been quite the eventful twelve months in our lives, and I clung to those manifestations of GOOD during the painful interval before the surgeons worked their magic on my broken bone.

Right there with me–holding me close–God whispered, “If I could accomplish those things, then I can take care of you now. Peace.”

And peace came. These golden moments we’re given mean everything. The times we’ve witnessed broken relationships mended, the times we’ve watched a loved one struggle and come through the battle whole . . . these amount to golden moments.

They plant seeds of faith in us to nurture. As William Samuel Johnson wrote long ago, To improve the golden moment of opportunity, and catch the good that is within our reach, is the great art of life.

In our characters’ lives and in our own, it behooves us to pay attention to the golden moments.

Lessons Upon Lessons

Sometimes it takes a while to understand and embrace our unexpected life lessons. We keep thinking SURELY we’ve got it, surely we don’t need another time around.

Many of our favorite characters share this experience. We empathize with them. It’s not that they’re unintelligent–they’re simply human.

With no warning, things happen. We get surprised, as I did a little over a month ago walking to my vehicle after picking up the mail. Whamo! My toe hit a narrow piece of stump left in the ground, my keys, the mail, and my billfold flew through the air, as did I. And I discovered how unforgiving this rocky soil can be.

An ER visit later (thanks to friends who transported me), I began babying my left arm. Poor humerus bone–so sorry! Interesting how our total focus coalesces on one ailing body part at such times.

Since then I’ve flown round-trip to Iowa for a funeral and accomplished some one-handed writing and editing–while practicing caution at every turn.

But honestly, before this fall, I was already trying to be careful!

Can anybody identify?

Life happens, they say. And of course this could have been far worse. With more than one friend fighting for their life right now, by comparison this is minor. I’m also very grateful I can use my right hand, that no surgery was required, and for Lance’s unfailing help.

Still, injuries like this really hurt! Bless my retired Physician Assistant friend who wrote, “Bone pain is the worst.” Somehow, that makes me feel better.

But embracing my lessons? Still working on that. One thing: I’m pretty sure this fresh experience with a big owie will enter into a novel one of these days. (:

Seems I must’ve needed to learn a thing or two . . . again.

Three Reasons to Love Historical Fiction

Welcome, Marie Sontag. I’m already an historical fiction lover, but really appreciate your take on this topic. The idea of a “sliding glass door” that helps us understand others different from us…whoa! Do we ever need this today!

Readers, please see below for Marie’s offer of THREE free copies of her novel.

What happens when Daniel Whitcomb, a fictional thirteen-year-old, meets twelve-year-old Virginia Reed, an historical member of the Donner Party, on a wagon trail to California?—a friendship Daniel doesn’t think he needs, mentorship from the man who leads whites into Yosemite Valley, and an historical fiction story that shows how what we want is usually not what we need. 

1. Historical Fiction Creates a Web of Meaning

I love historical fiction. It brings the past to life as it touches readers’ emotions within an historical context. This wedding of narrative and history creates a web of meaning that helps readers relate to and remember what they’ve read.

California Trail Discovered, my latest middle grade novel coming out this fall, places my fictional protagonist alongside historical figures, providing a context to help readers relate to the trials of the trail in 1846—when pioneers left family and friends to move into the unknown. 

2. Historical Fiction Can Create Empathy

I also enjoy historical fiction because it provides a window into people’s lives and cultures. Good historical fiction provides readers with a safe way to move in and out of their own experiences and into those of others. This kind of “sliding glass door” can promote empathy for those different from us. 

Jim Savage, a historical figure and member of Daniel and Virginia’s wagon train, warns a member of the Donner Party to return a buffalo fur the man stole from a Lakota Indian’s burial site. Jim had once lived with Indians. At first, Keseberg refuses. “The Indian is dead. He won’t need it.” Jim fires his pistol into the air. He tells Keseberg,“It’s not open to discussion. This is how Lakota honor their dead, and there will be consequences for stealing it. Put it back.” 

3. Historical Fiction Provides Insight into Our Own Lives

Like all good stories, historical fiction teaches us something about ourselves. We all have wants, but it’s often difficult to discover what fuels those wants. 

In California Trail Discovered, Daniel doesn’t want to move with his guardian to California. He wants to get back to Illinois and find out who murdered his parents. One afternoon, Daniel walks beside Virginia as she picks flowers. She comments, “Friends are like flowers. They add sunshine and color to your life. Don’t you agree?” 

Daniel shrugs. “Sometimes, I think friends are like mosquitos. They buzz around in your ear, waiting to take a bite out of you, then leave behind an itch you really shouldn’t scratch.” 

Through the friendships Daniel makes on the trail, he discovers that wanting to find out who killed his parents has masked his real need to connect with others and to become part of a new family. 

Take It Home

What historical novel has helped you better remember factual events? How did it do that? Did it help you relate more with those from a different culture? In what ways? How did the plot help the characters better understand their wants, and reveal the needs behind those wants? Did it give you any insight about your own wants and needs? In what ways?

Feel free to share any of your answers in the comments below, or send me a note on my Facebook author page. One week after the posting of this blog, I will hold a drawing for those leaving a comment. Make sure to provide your email, or PM my on Messenger or my email. Three lucky winners will win a copy of California Trail Discovered.

Marie Sontag enjoys bringing the past to life, one adventure at a time. Her fifteen years of teaching middle school and high school have given her insight into what students find entertaining, and her B.A. in social science and M.A. and Ph.D. in education provide her with a solid background for writing middle grade and young adult historical fiction. 

Born in Wisconsin, she spent most of her life in California, but now lives with her husband in Texas. When not writing, she enjoys romping with her grandkids, playing clarinet and saxophone in a community band, and nibbling red licorice or Tootsie Pops while devouring a good book.

mariesontag@mariesontag.com

Facebook
Webpage
Instagram
Twitter
Linkedin

A Literary Work in Progress

Lynn Dean joins us today with an encouraging story for authors about her work in progress. She’ll draw from names of readers who “Like” and follow her Facebook page and leave a comment for an ebook copy of More Precious Than Gold, the first novel in her Sangre de Cristo series set during gold rush days in New Mexico Territory.

This mountain range has intrigued me for years, so I really appreciated all the specific history and imagery in these novels. Now, here’s Lynn:

Life rarely turns out the way we think it will.

Since good stories model real life, writers probably shouldn’t be surprised when a work in progress takes on a life of its own. Sometimes a character we thought would play a minor role suddenly steals center stage and demands to be heard. Other times our manuscript changes in medias res because we discover new information or contrive a plot twist. But occasionally our story changes because of outside influences beyond our control.

When I began writing Lilacs many years ago, a friend surprised me with a research trip to Mackinac Island where the story is set. It was a magnanimous gesture. I’d always wanted to go, and she’d already bought the tickets, so what could I say but “thank you”?

It was 40 degrees and raining sideways the weekend we visited, but the island was perfect. We stayed at the Grand Hotel and enjoyed a carriage tour. Along the way I shared my story idea and some interesting history about the hotel, including a long-ago scandal. I wasn’t sure I would mention that event, explaining that it would be difficult to handle delicately so nothing would reflect poorly on the hotel or its current owners. For some reason, when we returned, my friend decided to “help” me by marching up to the concierge desk, telling the hotel representative that I was writing a book, and asking for details about the scandal. The stunned man made a terse reply and left…and I couldn’t blame him!

Mortified, I shelved the whole project—all 45,000 words of it.

But readers know that dark moments are never the end of the story.

Fast forward. I’m at a writers’ conference in an interview with a literary agent who says she loves “Downton Abbey” stories with romantic settings and characters from different backgrounds and socio-economic classes. “Do you have any stories like that?” she asks.

It so happens I do!

I pitched the story I thought was ruined. She loved the concept, so I began to rewrite Lilacs with a different focus. I’m pleased to say the new story is better in every way than the original would have been.

Moral? Never give up, even when you think your plans are ruined. The dark moment is simply the crisis that forces us to get creative, opening new possibilities we would never have imagined otherwise.

LYNN DEAN lives near San Antonio, Texas—a near-perfect setting for a historical fiction writer. She loves to travel and meet people. Sooner or later, most of her experiences end up in a book. Keep up with what she’s writing at https://www.facebook.com/Wordsworth-PublishingLynn-Dean-161921870546466/.

The Sky Above Us

A special welcome to award-winning World War II author Sarah Sundin. Here’s her latest novel, and Sarah is offering a giveaway of one signed copy of The Sky Above Us to one fortunate commenter between now and Feb. 18.  Thanks so much, Sarah.  

Tell us about your new release, please.

Burdened by his past, Lt. Adler Paxton ships to England with the US 357th Fighter Group. Determined to become an ace pilot, Adler battles the German Luftwaffe as the Allies struggle for control of the air before D-day. Violet Lindstrom wants to be a missionary, but for now she serves in the American Red Cross, where she arranges entertainment and refreshments for the men of the 357th in the Aeroclub. Drawn to the mysterious Adler, she enlists his help with her programs for local children. Adler finds his defenses crumbling. But D-day draws near. And secrets can’t stay buried forever.

Why did you choose to write about these aspects of World War II?

With each novel and each series I like to focus on different aspects of the war to keep things fresh. A few years ago, I thought it would be interesting to write a series about D-day, with three brothers fighting from the sea, in the air, and on the ground. My first series focused on bomber pilots, and a lot of readers told me I should write about a fighter pilot. What if I had a fighter pilot flying over the beaches of Normandy on D-day? That’s how Lt. Adler Paxton came to be.

For the heroine, I decided to have Violet Lindstrom work for the American Red Cross. The ARC ran Aeroclubs at the US airfields in Britain, arranging refreshment and entertainment for the airmen. That sounded like a fun and adventurous way for a woman to serve her country.

What unique aspects about your research can you share with us?

Although this was my eleventh World War II novel, each story presents new research challenges. Adler’s story was surprisingly easy to research. I’d already tracked down a lot of information on the US Eighth Air Force while writing my Wings of Glory series.

And fighter pilots love to tell stories. I found countless memoirs, oral histories, home movies, and photos. These were valuable to help me understand the mindset of fighter pilots, how it felt to fly a P-51 Mustang in combat, and what everyday life was like on the air bases in England.

Violet’s story with the American Red Cross presented a greater challenge. In general, stories from personnel in any support capacity are scarcer. I found a treasure trove of primary documents about the Red Cross on Fold3.com (a division of Ancestry.com). These provided many of the big picture details I needed about ARC services overseas. On the personal side, I perused the Betty H. Carter Women Veterans Historical Project on the University of North Carolina, Greensboro website. They’ve collected oral histories, photos, and documents from women veterans, including dozens of Red Cross workers. These helped me piece together the colorful bits about what life was like for these brave and resourceful women.

Bio:

Sarah Sundin is a bestselling author of historical novels, including The Sky Above Us and The Sea Before Us. Her novels When Tides Turn and Through Waters Deep were named to Booklist’s “101 Best Romance Novels of the Last 10 Years,” and Through Waters Deep was a finalist for the 2016 Carol Awardand won the INSPY Award.A mother of three, Sarah lives in California and teaches Sunday school. She also enjoys speaking for church, community, and writers’ groups.Please visit her at http://www.sarahsundin.com.

Sarah has also shared this trailer for The Sky Above Us: you may view it here: 

 

The Perils Of Wit

Welcome to Ruth Buchanan, who writes FUNNY STUFF -my hat is off to you, Ruth…easier said than done. And oh, how our serious old world needs to laugh! Besides her gift of humor, Ruth is offering a commenter a digital copy of Collapsible (U.S. only).

The Four Perils of Wit

I write comedy because I love laughter. It’s a gift from God, and sharing that gift with others is immensely satisfying. There are, however, some distinct downsides to writing humor.

Peril 1: Making jokes nobody understands. 

When you make jokes nobody understands, you’re impressing nobody but yourself. The key is to know your audience and think of what they’d enjoy rather than seeking to highlight your own wit.

Peril 2: Feeling that you must meet expectations. 

Sure, you can deliver droll dialogue in books and plays, but that doesn’t mean you can do the same thing in real time—or that you should even try. In attempting to be “on” all the time despite dips in mood, intermittent personal struggles, or a sluggish mental state, you may wind up trying too hard and displaying a grotesque parody of humor that delights no one.

Peril 3: Encountering the assumption that you don’t think too deeply. 

People tend to equate seriousness with depth and laughter with flippancy. Although there’s some truth at the core of the assumption, it’s still a dangerous over-generalization. Yes, it doesn’t cost much to be flippant, but not all humor is flippant and not all earnestness solemn. There is a type of joy that is serious and a type of humor that is actually quite sad.

Peril 4: Allowing wit to trump all other considerations. 

One of the worst perils of wit is the danger of letting the words fly without first considering the ramifications. When we write, input from early readers and editors can help us temper our impulses in subsequent drafts.

In conversation, however, it’s another matter. Those with quick wits will often allow their tongues to run ahead, speaking first and considering the consequences later.

This is perhaps the greatest peril of wit, and one not easily remedied.

Fortunately, there is hope.

Combatting the Danger

The best way to combat the danger is to fill your mind with things worthy of being said. That way whenever you do speak, you have a significantly lower likelihood of saying something foolish.

In his letter to the Philippians, the Apostle Paul sets the standard: “whatever is true, whatever is honorable, whatever is just, whatever is pure, whatever is lovely, whatever is commendable, if there is any excellence, if there is anything worthy of praise, think about these things.”

Let us think on worthy things so that we may speak worthily.

In this way, we combat the worst perils of wit.

About Ruth

Ruth Buchanan is a Christian freelance writer who holds degrees in ministry and theology. She writes fiction, non-fiction, plays, and sacred scripts. She’s an eager reader, an enthusiastic traveler, and the world’s most reluctant runner. Ruth loves Jesus, family, church, friends, and coffee. She lives and works in South Florida. You can learn more about her and her books by visiting RuthBuchananAuthor.comor following her on social media.

Twitter| Instagram| Goodreads

 

Check Out Book 1 in the Collapsible trilogy!

Rachel Cooper has life under control: good job, good friends, and good plans for the future. All of that collapses one early morning when she falls and breaks her ankle. Now she must face the horrors of preparing for an upcoming move and handling her tenth year of teaching while clomping around on crutches. Worse, somewhere in the shadows, the Memento Killer lurks—a serial murderer who stalks women with four anonymous gifts before moving in for the kill. When unexpected presents begin arriving on Rachel’s doorstep, she fears that she’ll soon be crutching for her life. Check out Collapsible: A novel of friendship, broken bones, coffee, shenanigans, and the occasional murder.

NO SMALL MOMENTS

Stacey Pardoe has such inspiration to share…enjoy.

There Are No Small Moments

I’m on my knees, camera lens inches from a dwarf ginseng, its tiny snowflake head bobbing in the breeze, when I realize we’re not alone.  “Beautiful day, isn’t it?” the khaki-clad elderly gentleman greets, and I’m drawn from my small moment with the ginseng.

“Sure is,” I say, somewhat embarrassed by the black dirt on my knees and elbows.

“Did you see the trout lilies?” he asks, and I notice the camera strapped over his neck.  I’m less embarrassed.

We talk for a long while about trillium and bluebells, and he finally meanders off along the path. Returning to my photo shoot with the ginseng, I remember the way I once looked at thirty-somethings with cameras and wildflower books.  At twenty-two, I kept track of miles logged and elevations reached, not dwarf flora, like violets and ginseng.  At twenty-two, I mostly lived for big moments – summit moments, and the thought of bending low for small moments seemed nothing short of condescending.

We walk farther down the trail, kids running ahead in search of toads and moths, and I consider these changing seasons.  When did small moments begin to take on such an authentic kind of glory?  It must have been before I dug the wildflower books out of the dusty boxes in the attic of the garage.

I remember when I started taking pictures of tiny mushrooms and sphagnum moss.  I believe that was the moment.  The moment I pulled out the camera and committed to capture the miracles I miss every day when I brush past in all my hurry, with my large-moment focus and my desire to prove something.

What if we could all live like we have nothing to prove?  What if we never again needed to prove our worth through demonstrating our intelligence, beauty, humor, and talent?  What if these things were simply gifts with which we blessed others, and we were fully content to live in the midst of our quiet moments in utter contentment?

Have I really learned the secret of being content in any and every situation?

What if there really are no small moments – just quiet moments . . . And what if the quiet moments are worth every bit as much as the loud moments performed before the multitudes?

I think long on it, while the kids build castles along the sandy creek, and I’m sure of it: These quiet moments of walking with children in the woods, baking cornbread, stirring scrambled eggs with a rubber spatula, folding tiny T-shirts, and wiping down dusty furniture are the moments that will make up the bulk of our lives.  There may be loud moments, platform moments, and moments that are broadcast before the world, but these big moments won’t make up the majority of our lives.

So what are we doing with our quiet moments?  Because the quiet moments are the ones that seem small, but they’re really the ones that comprise the essence of our lives.

Sitting along the water, I commit to live with more gratitude.  I commit to recognize the gifts that surround me and magnify God through naming them: dwarf ginseng, blue phlox, garlic mustard, and wild geranium; sandcastles at the creek, lunch on a hilltop, holding hands along the road; the mounds of dirty laundry that remind me of the gift of my family, the meat simmering in the crock-pot, the green crayon on the living room wall.  I won’t write these things off or roll my eyes.  I’ll embrace them and give thanks.

I commit to speak life.  I commit to ask direct questions and bite my tongue when I’m in a bad mood.  I remember to tell the kids that I love them just because they’re mine, that their mistakes will never define them, and that they make my world a better place.

I commit to live intentionally.  We role play the whole way home from the creek, and Bekah thinks of responses to every playground dilemma I can conjure up.  We read Bible stories before Caleb naps, and I pray specific prayers over each of them before he sleeps.  We turn off the TV and dive into imaginary play on the carpet with our assortment of mini characters.  I make some calls and send some cards.

When the sun sinks low that evening, Bekah and I put together a pocket guide of wildflowers from our sanctuary at the Wolf Creek Narrows Natural Area.  We find Latin names and study the history of each plant. It all feels a bit small, but when she looks at me with dancing blue eyes, filled wild with life and passion, I know for sure that none of this day was small at all.

Bio: Stacey is the wife of a handsome lumberjack, mother of two blue-eyed beauties, a freelance journalist, mentor, and certified special education teacher.  She writes weekly at www.staceypardoe.com

 

 

 

 

 

A New Release at Eighty!

Let me introduce author, editor and writing instructor, Mary Ylvisaker Nilsen. I had the privilege of taking a class with Mary and learned SO much. What a joy to have her visit, and to hear that she’s still writing, octogenarian or not! Please leave your e-mail if I don’t have it already, because Mary’s offering a free copy of her memoir to one fortunate commenter...I think we’re in for a treat. 

I’ve never been one to hide my age—unless you call hair coloring an attempt to age alter—but since October 1, my birthday, I’ve noticed a strange clutch in my gut, a catch in my throat, a little stammer in my speech when, for whatever reason, I have to say, “Eighty.”

Eighty! It’s crazy. My parents died at 49 and 69, a brother died at 64 and a sister at 68. Cancer all. I’ve lived with the intensity of one who assumes her days are numbered, and the number would be below the national average. Also, this Annie Dillard quotation has driven me: “How we spend our days is, of course, how we spend our lives.” Spend. Time is like money. My supply is limited. Better make careful choices on how I spend it. Better not waste a minute.

But here I am. The celebration’s over. The shock settling in. And the existential question, “Why?” now haunting my sleep. Insurance predictors tell me that by living this long, I have dodged all the big killers and will likely live to be 98. That’s almost two more decades of days!

Two years ago, I had a health event that for a year left me in pain sliding from a brusque “I’m OK. I’ll be fine,” to a wordless gasp. During that year, assuming it might be my last, I began a practice I had never before attempted and wrote every night, wrote what I called “my Marvel,” wrote on small things and close to home things, on fragile thoughts or fleeting observations. I followed Jesus’ suggestion that we “consider the lilies of the field.” So, noticing what I noticed, I planted it in my mind, allowing it to take root and grow, considering what it had to teach me. Writing about it became my daily purpose.

For a year, I tended those thought seeds. And then for the better part of a year I pruned—trimming, shaping or cutting those daily writings. Consider the Marvels: Writings from My 79thYear is the result. The project filled the two years leading up to my 80th. Now, here I am, potentially looking forward to two decades of days, and my pain-free self, which has lost the passion for daily writing, wonders what of value I can spend my time on now. A question I will need to think about, to ponder, to consider….

Calling all Octogenarians! I need help! Tell us all about the marvels in your days.

Find more information about Mary Nilsen at
www.Zionpublishing.org

“How we spend our days is, of course, how we spend our lives.” Annie Dillard