Tracy Groot on Setting and Site Visits

IMG_1422

Elk and javelina epitomize these rugged Ponderosa forests, the setting for one of my novels, and time spent here makes all the difference in writing.

Today, Tracy Groot shares about visiting the site of your novel.

“Site visits are very important. “The land speaks” even decades or centuries or millennia later. Visits have an orienting effect and always, always, always yield the unexpected: my visits to Andersonville for The Sentinels of Andersonville yielded impromptu interviews with the mayor, a storeowner, a museum curator. 

“Visiting a site can infuse your story with small but important details–lovely specificities that round out the tone of many scenes. Also, check out any local museums—they usually have dynamite bookstores.

“My visit to France for Flame of Resistance yielded such a wealth of information, I cannot imagine how the book would’ve turned out without it; I ate the local food in Normandy, visited multiple WWII museums, talked with elderly folk who’d been around during the war. Priceless! And fun! And we’ve learned to combine site visits with family vacations, to save money.”

Did I mention I’ve been working on a World War II series set in Southern France for a looooong time . . . maybe a visit is in order!

Last week we focused on character, so here’s a bit more from Tracy on that. (Can’t you just see character in this scrounger eating food scraps?) 

IMG_1417

Character always informs story and plot for Tracy. “I love what British historian Arnold Toynbee said, that character results from a person’s heredity and interaction with his environment; so I research where one of my characters is from to  develop his or her story and personality. Getting to know the character and realizing how they act or react, helps to inform plot.”

What story does Tracy resonate with most?

“Each book has something that is a part of me—scenes in every one came from the gut—and it’s still a thrill and joy that these scenes actually made it to paper. It’s hard to nail down a favorite—I usually pick the one I’ve last worked on, ha ha! Maggie Bright, a story about the rescue of the British army at Dunkirk, is a current fave. It comes out in May 2015.”

Heartfelt thanks to Tracy for giving us an inside look at her vocation—perhaps readers will get a feel for the commitment she puts into each novel. And writers, she’s given us a wealth of food for thought. Feel free to comment about anything and everything. And be watching for Maggie Bright.

Please include contact information with your comment in order to vie for the prize of Tracy’s The Sentinels of Andersonville. We’ll announce the winner next week and send the copy to you posthaste.

Sentinels-of-Andersonville

When Making Do Won’t Do Any More

One of the participants in my writing class described her attachment to her old billfold. She tacked, taped, and rubber-banded it together for years (she saved those wide bands that hold broccoli stalks together). After losing the billfold from the top of her vehicle, saving it from canine attacks, and various other mishaps, she finally caved.

Along with her missive about said billfold, she brought us a picture. Does this remind anyone of their manuscript, edited, edited, and re-edited almost beyond recognition?

photoYet how can we give up the characters? At least for me, it’s those heroines, heroes, and villains that call me back time after time. When months have passed since I’ve peeked at a certain file, I read the first page and wham . . I’m in the story again.

As with my friend’s billfold, its the feel of the thing that tugs at us, the familiarity. But sometimes, our patching efforts may not work for our manuscripts any longer–but we don’t give them up easily.