Scene Visits and Perseverance

Recently, I met the man who built our house, and he said during the excavation, workers found a Native American matate, or grindstone. I’d been having Abby, the heroine of a novel set here in 1870, watch for the natives–now I have evidence they were really here–nice to spend some time in the setting, as Tracy Groot shared with us last month.

0205151153

In the past two years, someone already unearthed a pumice pestle, perhaps the one used with that grindstone. Pretty cool, eh?

And here are a few pottery shards found in front of our place. Our friend gathers them when she comes up here, in an area where water washes down.

0202151141

I have yet to discover one, but I’m getting the idea of what to look for, and enjoy the “hunt.”

This past couple of weeks  my writing has brought a few bumps in the road: a rough critique of a would-be novel’s beginning and word from the editor of my first contracted women’s fiction novel: your file’s been corrupted. Send me another. Oops.

Well, that’s the writing life, I’m thinking. Take the downs with the ups and keep at it. Some day, you’ll hold your fiction book in your hand, just as some day, hopefully, I’ll find some pottery shards right in our front yard. Yes, this is a picture of what I  peruse in my search.

0202151129

Anybody want to share how you’ve persevered in your writing life, or in anything else, for that matter? I’d love to hear your stories.

Setting and Scenarios

Our neighbor Roy, 93 and a World War II veteran, feeds the elk regularly. One of them even allows him to stroke her muzzle. What a great hobby for someone who sacrificed so much building airstrips on Pacific Islands seventy-some years ago.

IMG_1255_2Yesterday I heard him croon to an elk, “You back again? Getting a little selfish, aren’t you? You know I like to feed the deer, too.”

Roy writes his story one day at a time and the elk act it out. He just supplies the grain, or shall we say, fodder?

There’s so much novel fodder here under the Mogollon Rim. One of my novels (hopefully publishable at some point), tells the story of a young woman desperate to belong. After losing her family in freak accidents, she’ll pay any price, and does. Every day, she watches the sun climb DOWN the Rim, since it first has to peak over the other side to reach this valley.

IMG_1526

Ah, how life twists things around! Dottie, the World War II heroine I’ve mentioned before, experiences the topsy-turvy effects of a horrendous war.

But both of these characters, and all of us, find courage and tenacity during these tough times. The question is, will our characters make changes necessary to their well-being?

Soren Kierkegaard wrote, “All change is preceded by crisis.” And for fiction writers, crisis is integral to the plot. And as Tracy Groot shared with us the past two weeks, so is the setting: feeding Arizona elk  or working at a 1947 small-town Iowa boarding house demand different mindsets. In both Dottie and Abby’s lives (and our own), character and setting meld with plot as crises arise.

I’d like to hear your favorite fiction crisis . . . Scarlet O’Hara’s dilemma, the harried chase in True Grit,  or some other difficult situation? Or share how you blend setting and scenario in your own writing.

Sara Goff won the giveaway of Tracy Groot’s The Sentinels of Andersonville–congratulations! Thanks for stopping by, and have a great, creative week!

Tracy Groot on Setting and Site Visits

IMG_1422

Elk and javelina epitomize these rugged Ponderosa forests, the setting for one of my novels, and time spent here makes all the difference in writing.

Today, Tracy Groot shares about visiting the site of your novel.

“Site visits are very important. “The land speaks” even decades or centuries or millennia later. Visits have an orienting effect and always, always, always yield the unexpected: my visits to Andersonville for The Sentinels of Andersonville yielded impromptu interviews with the mayor, a storeowner, a museum curator. 

“Visiting a site can infuse your story with small but important details–lovely specificities that round out the tone of many scenes. Also, check out any local museums—they usually have dynamite bookstores.

“My visit to France for Flame of Resistance yielded such a wealth of information, I cannot imagine how the book would’ve turned out without it; I ate the local food in Normandy, visited multiple WWII museums, talked with elderly folk who’d been around during the war. Priceless! And fun! And we’ve learned to combine site visits with family vacations, to save money.”

Did I mention I’ve been working on a World War II series set in Southern France for a looooong time . . . maybe a visit is in order!

Last week we focused on character, so here’s a bit more from Tracy on that. (Can’t you just see character in this scrounger eating food scraps?) 

IMG_1417

Character always informs story and plot for Tracy. “I love what British historian Arnold Toynbee said, that character results from a person’s heredity and interaction with his environment; so I research where one of my characters is from to  develop his or her story and personality. Getting to know the character and realizing how they act or react, helps to inform plot.”

What story does Tracy resonate with most?

“Each book has something that is a part of me—scenes in every one came from the gut—and it’s still a thrill and joy that these scenes actually made it to paper. It’s hard to nail down a favorite—I usually pick the one I’ve last worked on, ha ha! Maggie Bright, a story about the rescue of the British army at Dunkirk, is a current fave. It comes out in May 2015.”

Heartfelt thanks to Tracy for giving us an inside look at her vocation—perhaps readers will get a feel for the commitment she puts into each novel. And writers, she’s given us a wealth of food for thought. Feel free to comment about anything and everything. And be watching for Maggie Bright.

Please include contact information with your comment in order to vie for the prize of Tracy’s The Sentinels of Andersonville. We’ll announce the winner next week and send the copy to you posthaste.

Sentinels-of-Andersonville

Tracy Groot on character

Learning from Henri Nouwen and Tracy Groot

Though movie renditions of great books usually disappoint, Unbroken was an exception—Louie, the hero, exhibited many childhood flaws, yet developed the strength of character to endure inconceivable torture. Throughout his long life, he inspired many, with humility. Henri Nouwen might have written the following paragraph for him.
“When we say, ‘If people really knew me, they wouldn’t love me,’ we choose the road toward darkness . . . But humility is  . . . the grateful recognition that we are precious in God’s eyes and that all we are is pure gift. To grow beyond self-rejection we must have the courage to listen to the voice calling us God’s beloved sons and daughters, and the determination always to live our lives according to this truth.” Henri Nouwen Bread for the Journey
Readers of Unbroken will also appreciate Michigan writer Tracy Groot’s novel, Flame of Resistance. The main character Brigitte opens her heart to grace as the story moves along—to the idea that she’s a worthy human being in spite of . . . well, I’ll let you discover the particulars for yourself.
We all like to see characters overcome obstacles, and the toughest often are internal, hidden from other people, but capable of destroying us. I’m so glad for this book’s imperfect and yearning heroine.
Tracy shares about the process of creating such a complicated plot with a powerful underlying theme.
“I tend to look upon a work as a whole, and for me, a moral premise can stem from multiple sources within the book–it can be one over-all premise for the whole work, or several themes with maybe one premise that can serve to represent the themes.
I don’t focus on moral premise or theme when I begin a work. When I see it later, when it comes to the surface in revision, I may then do some spit-shining to see what I can do to make it come out; but I never make a moral my guiding thread for the writing process. I let my characters play out their lives, and see what comes of it.” 
For aspiring authors, her attitude is freeing, and for readers, the result is powerful. Boy, am I glad she allowed Brigitte’s life to play out—hers is a story I won’t soon forget.
And back to Unbroken . . . if an author hadn’t decided to take on Louie’s story, we would be so much poorer. Just for fun, I’m adding a photo of an elk my husband took yesterday . . . looks like someone seeking a novel with a great character cast, eh?
IMG_1251_3
So, what types of characters draw you in? How does a character take form in your imagination? And for writers, does your writing process parallel Tracy’s, or do you begin from a very solid moral premise?
More from Tracy next Monday, when we will draw a name from both weeks’ comments for a copy of her most recent book, The Sentinels of Andersonville. Thanks for stopping by, and be sure to include your contact information in your comment.