Why Don’t I Like This Book?

Jan Cline, historical author, answers this question for us today. Here’s the latest Depression-era novel in her American Dreams series, and she’s offering a free paperback to one commenter on this blog.

It can be frustrating to us as readers to be lost from the beginning of a book, unable to be absorbed in the story because we don’t have an awareness of where the character is. As a writer, I finally discovered why that happens.

If any of you enjoy people watching, you might have observed the way folks interact, feel, and participate. People at a carnival act or even dress differently from what they would at a church service, or business meeting. Weather and time of day and year also come into play in how your character acts. 

Our feelings and actions are often affected by our surroundings. A character in a book needs setting, a description of what they see, hear, and touch in order to do and say and feel what the author wants them to. The connection between the character and their setting should draw you into the story.  

A setting that has been painted well gives the character something to bounce life off of, and goes a long way to deepen the story and the reading experience. It explains why we either trudge through the first few chapters of a book, or devour it because we feel we are there with the characters. 

In the first book of my American Dreams series, Heaven’s Sky, the setting is much like another character in the story. The outer struggle of the relentless dust storms and barren land is a big part of what drives the main characters. The inner struggle is the push and pull of faith versus discouragement about circumstances. As the story of Heaven’s Skyopens, Clarissa Wilding, the main character, has been burdened by vicious dust storms for several years. One of the first lines is: 

The same contemptible dry wind that swallowed up their crops had blown across her soul, stealing her hope and things she held dear.”

That’s a character reacting to her surroundings, giving the reader a taste of whereshe is. This is the essence of book one in this series. In book 2, The Pruning, which has just released, the story continues in a new setting. The Pruningtakes the same family to a new place, quite different from their old home. As they move to a vineyard in Washington State, the dynamic changes of setting from dry and fruitless, to green and prosperous, is still full of challenges for Clarissa. The contrast of the vineyard setting shows us that even when our life’s setting or circumstances change drastically, the solid foundation of our faith, and our trust in one another, steadies us through the hard times. 

I hope you have a better grasp on why some books grab you from the start, and I hope you’ll read both my stories. 

Thank you, Gail, for an opportunity to share. 

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The Quality of Light

“Of all the facts I daily live with there’s none more comforting than this; If I have two rooms, one dark, the other light, and I open the door between them, the dark room becomes lighter without the light one becoming darker. I know this is no headline, but it is a marvelous foot note; and comforts me in that.” ― Gerhard Frost

Probably there’s some scientific explanation for why light affects darkness, but not vice-versa. These kinds of questions intrigue me, so I guess it’s no wonder they furrow my characters’ brows, as well.

Why doesn’t darkness “move into” light when we open a door or when a light shines outside our windows? Instead, brightness penetrates into the formerly dark area.

In my last novel, Kate, Domingo, and the wily priest who accompanies them on some of their clandestine missions ponder such concepts. Why didn’t one of the assassination attempts on Hitler’s life succeed? How could such evil run rampant over Europe?

If you enjoyed With Each New Dawn and A Purpose True, you’d most likely appreciate the story I’m working on right now, too. Stan, an all-American guy-type, considers philosophical questions in the mountains of Bataan, where he and a captain escape to carry on guerrilla warfare instead of succumbing to captivity in a Japanese POW camp.

Add to this the captain’s literary mind bursting with quotes, and his penchant for employing them in everyday conversation…plus his bouts of malaria and dengue fever. Needless to say, Stan has his hands full.

As usual, I keep thinking this novel must be nearly finished…and that day will come. Meanwhile, Easter’s not a bad time to consider the effect of light on darkness, and the failure of darkness to squelch light.

Have a meaningful holiday.

 

A Holiday Toast to “Old” Writers…

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We woke up to the season’s first snow this morning, transforming our grey, early-December Iowa into a wonderland. Today I’m sharing author Jane Kirkpatrick’s November post, because it holds encouragement for “old” writers. Like a fresh snow covering, we have a great deal to offer the world. May her words bless your Christmas stockings off!

Francis Bacon wrote: “Age appears to be best in four things; old wood best to burn, old wine to drink, old friends to trust, and old authors to read.” I present this wisdom as four “old” authors this past month have spoken to me about getting published. They have terrific story ideas, the time and energy to pursue their craft and demonstrated perseverance. What they’ve shared about finding a publisher is astonishing. At one conference, an editor said publishing older authors for the first time is just not cost effective because they “don’t know how to do social media or even what a platform is.”

Of course we know what a platform is. It’s a pair of shoes. No, really, it’s a mission statement, what one is willing to stand behind and for. We older authors have had platforms for years as young people going to war or taking stands against them; about the environment; as parents advocating for kids; as business owners and/or employees working long hours with integrity because we believe in what we’re doing and in the communities we’re doing it in. We know how to create a writing platform, one we can stand on and for, just as we know how to write a story.

More importantly, we bring life experiences to the stories we tell. We know how to create empathy for a character because we’ve shown empathy for others in order to live in community. We know how to give voice to those seldom heard because we’ve been listening for years. And we know how to memorialize, how to write about what matters not only to ourselves but as ways to reach others, most of whom are much younger than we are. Perhaps we can prevent in real life the mistakes that our characters make by telling stories constructed on our platforms.

As for social media…one of my “wise” author friends noted, “We have networks from years of working, contacts made while researching, people excited for us in retirement as we pursue another occupation, that of becoming an author.” We can get thousands of friends and “likes” and Twitter followers. She noted too that while many of us aren’t savvy about social media, we have resources to hire people to help us with the technology required of this writing world. At the very least we have 15-year-old grandkids or nieces and nephews to offer guidance. And because we read and are a part of this fascinating world, we also undertake new challenges with vigor knowing that even old rats, when given new mazes, grow new brain cells. If an old rat can learn new tricks, I can!

With my latest book This Road We Traveled about (in part) a 66-year-old woman who didn’t accept her adult children’s plan for her life and struck out on the Oregon Trail with her own wagon, I’ve become especially sensitive to the passions of age. It was what Tabitha Moffat Brown accomplished after she was 66 years old in 1846 in her adopted state of Oregon that moved the 1987 legislature to name her “The Mother of Oregon.” Many of the historical women I write about came “of age” in what we might call their “old age.”

The Psalmist wrote “The Lord knows my lot. He makes my boundaries fall on pleasant places.” Personally, I think publishers are missing the passion of a great story when they let a border like age define an otherwise very pleasant place. Bring on that old wood, aged wine and trusted friends! And yes, old authors.

Thanks so much, Jane. If you’ve yet to read any of her wonderful historical fiction, now would be a great time for a taste! 

Seasonal Changes

Back in the forties, autumn saw my heroines harvesting the last produce from their victory gardens, hauling burlap bags of potatoes and carrots to the hideaway under the windmill, drying walnuts to pick through on winter nights, and stripping dry bean and pea pods to save for next year’s seed.

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With more time ahead for indoor work, perhaps some women looked forward to sewing and mending. Addie didn’t, that’s for sure. But she did enjoy knitting sweaters for the soldiers, and even tried her hand at fine stitching.

Recently, I found an amazing cache of someone’s hankies from that bygone era at a garage sale. The more I consider them, the more they overwhelm me with a sense of all the time someone spent  stitching their decorative touches.

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Can you imagine the hours this required? And how about these?

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So many colors … so much creativity. Picture some weary woman crafting these in her “leisure hours” after a full day of hard physical labor.

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Those of us with limited stitching skills (I sew on buttons and  do hemming. Period), stand in awe. Besides fashioning these gems, the Greatest Generation women and their forebears carefully laundered and ironed these useful items, these tear catchers.

How things have changed, eh? Paper tissues catch our tears during life’s ups and downs. I’ve been going through some changes too. Yep. Because of an eye challenge, my computer time is now greatly limited – yes, I’m looking into one of those new-fangled speak-into-your-computer programs.

The past few weeks may have found me remiss with online duties, and that may continue. But stories still bounce around in my head, and the sequel to In Times LIke These will release with Lighthouse Publishing of the Carolinas in February 2017.

Several readers have encouraged me lately with their reviews of Addie’s story – one woman commended me for not giving Addie an easy way out. I try to hard to avoid pat answers, which really don’t help struggling people much. In her words:

            I appreciated that you didn’t have easy answers for Addie’s troubles.  I tend to shy-away from Christian fiction for fear of the platitudes. I have recommended this read to a couple of my friends.

So satisfying – words from readers mean so much! For those who’d like to communicate with me, I check my e-mail address gkittleson@myomnitel.com, most often. Thank you.

And thanks for your patience, and oh! I’ve shared the title of the sequel numerous times, but it’s been changed to With Each New Dawn

As fall transforms into winter, may you keep discovering new reading delights!

Scene Visits and Perseverance

Recently, I met the man who built our house, and he said during the excavation, workers found a Native American matate, or grindstone. I’d been having Abby, the heroine of a novel set here in 1870, watch for the natives–now I have evidence they were really here–nice to spend some time in the setting, as Tracy Groot shared with us last month.

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In the past two years, someone already unearthed a pumice pestle, perhaps the one used with that grindstone. Pretty cool, eh?

And here are a few pottery shards found in front of our place. Our friend gathers them when she comes up here, in an area where water washes down.

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I have yet to discover one, but I’m getting the idea of what to look for, and enjoy the “hunt.”

This past couple of weeks  my writing has brought a few bumps in the road: a rough critique of a would-be novel’s beginning and word from the editor of my first contracted women’s fiction novel: your file’s been corrupted. Send me another. Oops.

Well, that’s the writing life, I’m thinking. Take the downs with the ups and keep at it. Some day, you’ll hold your fiction book in your hand, just as some day, hopefully, I’ll find some pottery shards right in our front yard. Yes, this is a picture of what I  peruse in my search.

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Anybody want to share how you’ve persevered in your writing life, or in anything else, for that matter? I’d love to hear your stories.